Abstract:
This thesis explores several forms of contemporary poetry and the place of Christian poetry among these forms. It considers the differences between lyric, image, discursive, and narrative poetry and the subjects appropriate to each, citing examples from various poets. Techniques used in writing poetry are a vital element of the subject and form of the poem, and this thesis examines the choices other poets have made to develop these relationships. The determining factor for any contemporary poet in making these choices--form, technique, subject, and style--is voice, which emanates from the poet's worldview. As a Christian poet, the author finds that faith influences voice and thus plays a major role in the making of these other choices. What the Christian poet must do is to avoid using poetry as a medium for evangelism or doctrinal teaching. The thesis discusses pertinent subjects and approaches to spiritual themes, suggesting the exploration of story, parable, nature, and self as means of discovery. It lists as worthy aims of poetry the sharing of emotion and experience and the seeking of positive social change. The thesis philosophically touches upon the ideas of time and space in the experience of place. Following the academic treatise is a collection of poetry that practices various forms and subjects discussed in the introduction.
